In certain locations, use the Smudge Tool to make these lines fuzzier.Reduce your brush size once the basic shapes are in place to add some fundamental details and definitions. Start by adding a little definition with a smaller brush.Block out the areas with high values (highlights) and low values using a reasonably large, soft brush (shadows). Start by blocking out the hair’s basic contours, highlights, and shadows.Imagine hair as a single, complete, three-dimensional shape rather than a collection of millions of individual strands. Additionally, it makes modifying the light source challenging. ![]() This not only takes a ton of time, but it frequently comes off as hollow and unconvincing. ![]() The temptation when painting hair is to start by painting each hair with a small brush.
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